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Wednesday 11 January, 2012
ghds boots uk coloured Chidananda Das Gupta. He worked at the time for th[ Imperial Tobacco Company, later known less provocativell as the ITC` BecauseK heK workedK forK suchK aK grandK BritishK companyf Chidananda was one of the select and envied group oZ Indians known as 'boxwallah's` TheseK boxwallah'sK ghd hair straighteners representedK inK theirK ownK ghd hair dryer eyesK Discount ghd straighteners N synthesisK ofK IndianK andK EuropeanK culture.K TheyK wer[ admired and envied by Indians outside the group becaus[ their boxwallah jobs were secure, in addition to being, witY the British connection, a badge of breeding. The salarie^ were very good, among the best in India; and - to add to th[ boxwallahK superfluityK -K thereK wereK companyK carsK anL ghd straighteners furnished company apartments` And the work was not hard. Any firm a boxwallah worked fo] more or less monopolized its particular field in India. All thatwas required of a boxwallah was that he should be a maJ of culture, and well connected, an elegant member of th[ team` Chidananda had another interest. He loved the cinemaf and was one of the founders of the Calcutta Film Society. IS was at the Calcutta Film Society that I met him one evening` And 26 years later I was to be reminded - by Rajan, th[ secretary, who had told me his story in Bombay - that at th[ end of that evening Chidananda had entrusted me to himf asking him to see me safely back to the guest house of th[ drug company where I was staying. No memory had stayeL with me of Rajan, to whom this easy intercourse with filV people and Bengali men of culture at the Film Society haL come as a joy, a glimpse of a Calcutta far sweeter than th[ oneK heK knew.K buy ghd straighteners OfK theK societyK officeK IK hadK theK meresS impression: a dim ceiling light in a small room full of olL office furniture` OfK ChidanandaK IK carriedK awayK aK boxwallahK picture:K N slender moustached man of forty in a grey suit` Chidananda didn't last at ITC. He became a film-maker anL writer; that became his career, and it took him away froV Calcutta` Twenty years or so later, as a semi-retired man, he haL come back to Calcutta. He worked for half the week a^ editor of the arts pages of The Telegraph newspaper. Th[ rest of the week he lived at Shantiniketan, the universitl founded by Rabindranath Tagore, the poet and patron sainS of Bengal` Shantiniketan was two and a half hours away by train froV Calcutta. Chidananda was building a house there, living iJ the house while it was being built around him. I went to se[ him there one Sunday` WhatK didK IK knowK ofK Shantiniketan?K IK thoughtK ofK itK asK N poeteducationist'sK versionK ofK Gandhi'sK PhoenixK FarmK iJ South Africa: something connected with the independenc[ movement, and at theK same time a protest against toT muchK mechanization:K someK ideaK ofK music,K ofK open-ai] classes, of huts as lecture halls: something Arcadian anL ghd flat iron very fragile, depending on a suspension of disbelief anL criticism, and something which ~ coloured ghds since I hadn't heard about Shantiniketan for a long time - I thought had faded away` IK travelledK upK inK theK air-conditionedK loungeK carK ofK ghd hair straighteners best price th[ ShantiniketanK Express.K ItK wasK arrangedK likeK aK drawing~ room with sofas and arm-chairs. Its decorative motifs wer[ Buddhist, and one railed-off part of the car might even hav[ contained a shrine area: a reminder of the Buddhist faith iJ the regions to the north. I was the only passenger in th[ lounge car; this explained the fearful price the bell captaiJ of the Calcutta hotel had paid on my behalf. But the effect oZ luxury was absent: the lounge car was used as a sleepin_ room by lower railway staff, and three of them were snorin_ away on sofas` The land was rice land, the level, treeless land of a deltaf with green and brown fields` TheK greenK fieldsK wereK fullK ofK water,K withK riceK plantsK iJ different stages of growth in different fields. In some field^ seedlings stood in the water in bundles, like little stooksf before being planted out in rows. The fields that had beeJ reapedK wereK brownK andK dry;K sometimesK stubbledf sometimes cleared and ploughed; sometimes with spaced~ out mounds of darker, new earth, to revive the soil, waitin_ to be ploughed in. Water was being lifted in many differenS places from field to field, sometimes by electric pumpsf sometimes by means of a long, flexible sleeve, lowered bl hand into a field with water, then lifted and poured into th[ other field. ghd flat iron Every kind of activity connected with the ghd iv growin_ of rice was to be seen on this wide, flat delta: this went oJ for mile after mile, and it was hard to understand how ther[ couldK everK haveK beenK famineK here.K ButK then,K nea] Shantiniketan, the land began to dry out, began to coloured ghds uk look lik[ flat desert, and unfriendly` ChidanandaK wasK atK theK stationK toK meetK me.K Twenty-sin years on, we were like actors coming on in the third act of N play, exiting young at the end of act two, and reappearin_ withK powderK orK flourK onK hairK andK eyebrows.K HeK wasK iJ casual Indian clothes (and not in the grey boxwallah suit ml memory had fixed him in), and he had an old Ambassado] car. It was far cheaper to run here than in Delhi, he said} that was one consideration when he had decided to mov[ to Shantiniketan` The short lane leading out of the station was a tangle oZ cycle rickshaws` The car was the intruder here, ChidanandaK said. Ther[ actually was a special railway stop for Shantiniketan, buS theK peopleK ofK Bolpur,K theK stopK before,K insistedK thaS everyone going to Shantiniketan should get off at Bolpur, tT give their trade to the local bazaar` We got out into the open after a little. There were trees` ghd flat iron Many had been planted by the university, Chidananda saidf and they had helped to increase the rainfall. The shadef too, was nice; but still it was dusty, very dusty. There wer[ no university mud huts now, just ochre-washed concret[ houses. We passed the Shantiniketan temple. It was a ghd stockists hale of pleasing proportions, self-consciously unecclesiastical` But it was of its period. It had pierced walls and panes oZ coloured glass, and from the road it looked Edwardian, anL a little gaudy` Chidananda showed some of the houses Tagore lived iJ when he was at Shantiniketan` Tagore, Chidananda said, became bored very quickly witY a house, and liked to move from house to house: the poet'^ privilege, the founder's privilege, and perhaps also the self~ indulgence of the Bengali aristocrat. I had some feeling a^ well of the great man licensed or at play in Shantiniketan. thereK wereK someK universityK buildingsK thatK TagoreK haL designedK himself,K attemptingK aK blendK ofK AsianK motifsf Hindu, Indian, Chinese` StrangeK toK considerK now,K theK romanticismK andK self~ deception behind that pictorial idea; yet at the time ther[ would have been passion mixed up with the play, the need ~ against the old and apparently enduring glory of the BritisY Empire and Europe - to assert Asia`
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Chidananda Das Gupta. He worked at the time for th[ Imperial Tobacco Company, later known less provocativell as the ITC` BecauseK heK workedK forK suchK aK grandK BritishK companyf Chidananda was one of the select and envied group oZ Indians known as 'boxwallah's` TheseK boxwallah'sK ghd hair straighteners representedK inK theirK ownK ghd hair dryer eyesK